Letter from Deborah

About Deborah Landry

The biggest influence in my life was a path absent from art.  Although I was artistic at a young age, it was never nurtured.  In turn, I have had many careers far from the art world.  I was the second women permitted in the carpentry field in the US Air force, I would later design educational material and run the collegiate accreditation for a USAF School. I have been an emergency medical technician (EMT), and a computer program instructor, just to limit the list to a few.  I have seen and done many things, but the one thing that held true the whole time, was the belief, that I was my favorite project.

There is no better way to put it than, I eventually found myself.  I allowed myself to be who I was meant to be.  In 2008 I became a full-time artist.  I work in every material.  My approach is first to examine what I want to say and then decide what material would best express the content.  I never limit myself by the fact I never used a material before. It is easier to say I work in all materials than to name the few processes I have not done yet.  Besides I am young and there is still time.

When I decided to become a full time artist, I decided to support myself by creating collaborative public art.  At this point I am creating one – two large projects a year.  In addition, I usually have anywhere from one-three bodies of work I continually work on.  My first bodies of work were environmental installations, then toy sculptures, and then a body of work about empowerment that led to quilting and felting. Here at DeborahLandry.com I have centralized all that I do.  You can explore my different websites, galleries, shops and workshops.

You may ask, “How is a absents of art, an influence?”.  If you were to see my portfolio you would see a person who knows no limits.  I have opened the door to my creativity, and it has never slowed down.  I have sketch books of ideas and plans. My only concern is that we are only given so much time on earth and I may not come close to realizing all my artist visions.

Art is in Everything

Art guides me in every aspect of my life. I first explore the message I want to convey and let the direction and material come naturally.  This method of art making allows me to work in all materials. I never let the fact I have not worked in material limit my direction. I simply look at it as a challenge to overcome.

My Artwork is inspired by nature.  Nature not only shows up as the imagery but also plays a big part in the making process.   My gardens supply me with many of the materials I need to create paper, printmaking, and ink.

My art practices and art making are truly multimedia.  One artwork can have several processes.  On any given week I can boil nuts to make ink, press some flowers and leaves, incorporate them in papermaking and then later paint a flower on the same paper before calling it finished art.  Art is not just in the finished piece but in the process of making.

I was one of the first two women to be trained as a carpenter in the US Air Force. I have a long history of creating art, teaching, and carpentry. I work as a public artist, working with communities to build collaborative art for public spaces.  I currently teach a Women’s carpentry class and manage a Collaborative Carpentry Cooperative.

Visit and experience “I Can” for yourself.  You are only limited by your imagination.  Everything is possible.

 

Public Art Philosophy

I believe public art is for the public and at its foundation it should consider the location and people.   The real craft behind public art is the psychology behind it.  It must consider the public, community and location and find what makes the place unique (and every place is). The best public art is inclusive.  It speaks to the public in a sophisticated way as well as expands ideas and concepts.  Public art is extremely complex.  It has the possibility to transform a space and in turn rebuild perceptions of the community.  It can beautify a building, create a place where tourists visit or become the symbol of a city.  Public art is a true craft much more complex than art in its true form. (Painting is a painting) Public art is a tool and platform, for people to engage, connect, converse, and create, within neighborhoods and communities across creative and cultural boundaries.   Public art has limitless possibilities to challenge and uplift humans.  It can transform the environment and draw our attention to better ourselves.    Public artists are not just artists they are sociologists, physiologist  and psychologist.  Just like a great comedian, they have studied humans and can see the beauty.  They make art with this knowledge as their foundation.